Hollywood woke agenda costs at the box office

Woke films are bombing at the box office. People go to movies to be entertained, not indoctrinated, and it’s turning audiences off.

Films used to be fun, entertaining, and captivating, but now they are hollow, dissatisfying and… political!

DO you remember watching movies that had interesting protagonists and antagonists - characters who had some depth? Films with a novel, intriguing and compelling story-line?

These days, you will find movies that feature a strong female lead with no flaws, no room for character development within the story, and who are supported by weak, clumsy, idiotic men that are laughable caricatures.

A perfect example of this is the first of the recent Star Wars trilogy, The Force Awakens.

There are so many problems with these movies, and the political agenda is screaming at the audience as soon as the opening title and credits role. The strong male lead, Luke Skywalker, is gone, and the First Order - or the Patriarchy of white men - are a rising threat.

The audience meet the main protagonist, Rey, who has been living in a poor settlement on the desert planet of Jakku, where she scavenges ship parts in order to exchange them for food to survive. Within the next forty minutes, we soon learn that not only is Rey an excellent scavenger, but she is also a martial artist, Olympic sprinter and a skilful fighter pilot that knows more about the Millennium Falcon than Han Solo does.

We also see that Rey makes a former highly trained stormtrooper, Finn, the support protagonist, look incredibly clumsy and weak.

She is in God mode by the time we are halfway through the first film - something that Luke Skywalker had to wait three movies for, so we could see his character development.

Kylo Ren could have developed into an interesting villain, but he just didn’t. As soon as he takes off his mask, we see that he is an emotional wreck who has outbursts of rage when he doesn’t get his own way. What a toxic male!

This excuse of a villain is the son of Han Solo, who appears to be a deadbeat dad, but, with no further story arc, he is killed off by his emotionally vulnerable son.

It is one unbelievably tragic scene after another. Not only do they destroy Han Solo’s character, Luke is made into a shell of a man, who has given up on the force, and wants to live in exile and spill milk down his beard.

The actor who played Luke Skywalker, Mark Hamill, was left outraged and upset at the way Disney dismantled his character, and Star Wars as a whole.

The agenda of making men weak and women strong is not only visible on the big screen, but also occurs in Disney’s TV shows, such as their recent show, Kenobi.

Although Ewan McGregor was meant to be the main protagonist, he instead spends most of the show being bossed around by young Leia, who is ten years old. She is also just like Rey, and can suddenly do everything.

The show plays heavily on the nostalgia for good times long gone, in order to generate income to fund their new and upcoming homosexual, social justice propaganda shows for children on Disney Plus.

Talisa Garcia has become the first trans actress to be cast by Disney.

Disney’s subsidiary company, Marvel, has done the same as the Star Wars sequel trilogy. Marvel’s recent instalment, Thor: Love and Thunder is a mess at best. Thor was sidelined in his own film for Natalie Portman’s forgettable character. He was portrayed as weak, silly, and stripped naked in front of everyone to see. If it was one of the female characters stripped naked, we really wouldn’t hear the end of it from the feminists.

The other protagonist of this film is Valkyrie, played by Tessa Thompson. Her name is changed in this film to King Valkyrie, and this is just one big mockery of men.

Marvel’s terrible film before this, Doctor Strange and the Multiverse of Madness, was filled with woke identity politics, and contained a same-sex couple.

Moving away from Disney, Amazon’s recent series, The Rings of Power, is on the nostalgia bandwagon, and contains similar woke themes. In the first episode, we are introduced to one of the main protagonists, called Galadriel. As you may have guessed, she is an independent, all-empowered woman, with weak, incapable men following her.

Maybe these companies really do believe that women in today’s society are so weak and misguided that they need strong, miserable female leads with no personalities in films and shows like these, to make them feel empowered.

The Lord of the Rings trilogy, directed by Peter Jackson, is a unique fantasy series based on and faithful to Tolkien’s novels, that many regard as a masterpiece of the genre.

Amazon’s show, however, is undeniably woke, featuring identity politics and a vast, diverse cast, despite Forbes magazine’s attempts to denying its wokeness.

Tolkien derived his ideas from the mythology of the Anglo-Saxons, and even incorporated old English into his work. Obviously, black people were not present in Anglo-Saxon history and mythology, and it is highly likely that this is why they were not cast in the Lord of the Rings films.

If we have learned anything about how this ploy unfolds, the fans are called racists for not going along with Amazon’s casting.

This agenda is getting worse as time goes on. They want to portray men as weak and secondary citizens, because they are attempting to destroy society, confuse and blur gender roles, eradicate traditionalism and fracture national identity.

But there is some good news: the woke films are bombing at the box office. People go to movies to be entertained, not indoctrinated, and it’s turning audiences off.

As Breitbart reports: “Thanks to a slate of off-putting woketard movies, September’s box office is the lowest since 1997. With just $275 million grossed in North America to date, this will be the first September since 1997 with a monthly total of less than $350 million.”

The far-left The Wrap reports: “To date, the running total for September 2022 is 20% behind last year’s pace, and 52% behind the pace set this month in 2019.”

https://www.breitbart.com/ entertainment/2022/09/28/ nolte-woke-movies- drive-september-box- office-lowest-25-years/ amp/